If you are investigating the nature of TPR, start with the beginning which deals with the “what” and “why”. There are descriptions as well as testimonials. If that doesn’t provide you with the background you need, the resources section provides several ways to get more information. Naturally everything in between is also interesting.TPRS has a separate section devoted to it here, because its adherents see it as a further development of TPR and not as something completely separate. You will find mention of TPR as a strategy and TPRS as a method.
A caution is perhaps in order here. TPR and especially TPRS are touted here by some “true believer” FL teachers. While that high level of enthusiasm may be off-putting, just remember how much the teachers you’ve met on FLTeach seem to care about the success of their students. These are skilled, dedicated teachers and they obviously feel that they are onto something big.
Topics:A. What TPR Is and Why It Is Important
B. Questions, Problems and Responses
C. Things You Do in TPR
D. Creating a “Natural” FL Environment
E. TPR as Complementary to Other Methods
F. TPRS Specifically
G. Evaluation in TPR and TPRS
H. Resources in TPR and TPRS
A. What TPR
Is and Why It Is Important
94/11 From-> Jo Benn BENNJ@ctrvax.Vanderbilt.Edu
Subject: Re: TPR & listening comp.
I don't know of any studies done nor do I know of an appropriate test
to
use, but from my own experience I believe that students who begin to
learn using TPR do have better listening comprehension. They are forced
to listen in order to learn whereas in traditional methods, they often
choose to wait for written input. This is not scientific at all--just
my
own opinion.
Jo Benn
======================
95/03 From-> "Cynthia K. Gerstl" <cindyger@wam.umd.edu>
Subject: TPR
I'm finally back on the network after several days absence and want
to
comment on TPR. TPR is a wonderful way not only to introduce the
language but to teach all types of complicated constructions. As Frank
said, you can place various different types of expression within the
confines of a command.
TPR can also be used when students have begun to speak. I give my
students commands, and then ask them questions about what has happened.
Invariably, they understand what I'm saying and are able to respond
using the appropriate forms which were previously introduced within
the
body of the commands. For students who have difficulty, the difficulty
does not appear to be a generalization of the command form. Rather,
they
seem to instinctively understand that the command form is inappropriate
and respond with a form of the conjugated verb -- in which case I model
the sentence.
Cindy Gerstl
======================
96/01 From-> David Christian DCHRISTI <dchristi@badlands.NoDak.edu>
Subject: Re: Seeking comments on TPR
I use a lot of TPR at the Language Villages, and find that kids of all
ages are extremely receptive to it. But I also use it when I work with
senior citizens in my Community Ed classes. It's a great tool to use
early into the semester, because it gives the students a chance to
listen and absorb some vocabulary, also gives then a chance to repeat
it
as a group before I ask them to speak individually. (It also allows
me
to see which students are trying and discern the students that are
comfortable enough to be called on. I try not to get them to anxious
about speech production, but that's a different thread)
As many have said, it's a great tool, as is the internet, videos, tapes,
etc.
David Christian
======================
96/01 From-> Andre Thomas el Maestro <athomas@felix.vcu.edu>
Subject: TPR
This semester I have begun using TPR in my beginning level Spanish
classes and I really like it. Yes it can take awhile to plan, but once
you have all the exercises planned, then they will be ready for the
next
semester/school year, no? As far as it not being "authentic". I
disagree. On many occasions I have been traveling outside the U.S.
and
been in a position of asking for directions, or help of some other
nature, that elicited a response of commands that I had to follow.
Also,
I was under that impression that TPR wasn't ONLY applicable to teaching
commands. Perhaps I'm wrong.
Andre Thomas
======================
96/01 From-> Mj Tykoski
<mtykoski@tenet.edu>
Subject: Re: TPR
All hail TPR! I think it is a wonderful method. All four years of my
high school Spanish were TPR based. When I took the Spanish placement
test at the University of Michigan, I tested out of their foreign
language requirement. TPR, as I understand it, is definitely not just
limited to commands. Anything that gets the students physically out
of
their seat, their nose out of a book, and doing something in the room
is
TPR. Remember it stand for Total Physical Response. Yes it is harder
to
plan, but well worth it. I use it with my first year students and am
very pleased. They are retaining much more than I thought they would!
Mj Tykoski
======================
96/01 From-> "Sonja O. Moore" <smoore@cabell.vcu.edu>
Subject: Re: TPR
I think TPR is hardly "a bandwagon" as Asher's book appeared around
1972
(or 1975, I forget the exact date). The only element of "bandwagon"
may
be that many teachers are still discovering what TPR is today.
I fear that many equate TPR only with vocabulary learning and "Simon
Says" but it can be used successfully to teach concepts such as the
future tense, prepositions, and the subjunctive.
I have used TPR for many years in various levels and have found it a
wonderful addition to other methods. I have also taught purely TPR
classes which are labor intensive and require much planning. In my
estimation, you can't "wing it" with TPR if you teach it the way Asher
proposed. The "silent period" that Asher suggests is also a good way
of
reducing the anxiety that can come with speaking in the L2 class.
Sonja O. Moore
======================
96/01 From-> "Marilyn V.J. Barrueta" <mbarruet@pen.k12.va.us>
Subject: Re: TPR
>If anyone can be so kind as to e-mail me information concerning TPR
I would be
>very appreciative. Thanks.
Edward -- TPR stands for "Total Physical Response" (I have to interject
here that many years ago when that was first introduced a lot of people
thought the name should be changed-- that a total physical response
was
the last thing we might want in a high school classroom :>)). It is
a
way of teaching which requires the students to perform actions to show
that they understand what they're being asked to do. Although the
material often uses commands ("Mary, give your book to Tony"), it
doesn't have to, and can be built around scenarios that can be acted
out
("I wake up, and then get out of bed").
This is a very rudimentary explanation. I'm sure there will be more
elaborate ones posted.
Marilyn Barrueta
======================
96/05 From-> Peter Goldstone <goldston@merlin.enssat.fr>
Subject: Target language/TPR
In TPR, the target language is the only one used and its use, at least
at the lower levels, is not to explain, but rather to delineate
effective tasks to be completed by the learners. Through their "total
physical response" to "commands", they develop a kinesic familiarity
with the language which eventually creates a readiness to speak. If
by
"teaching a grammar point" you mean introducing rule-based structural
directions for the production of correct utterances, TPR is not an
approach to consider. If you mean determining what it is you are going
to teach next and analyzing for yourself how it fits into the nexus
already absorbed and acted upon by the students, grammar points are
often introduced through TPR. But you check whether the lesson has
been
learned not by having them restate the rule in their native tongue
but
by watching seeing that they perform appropriate tasks in an appropriate
manner.
Peter Goldstone
======================
97/08 From-> Mary E Young <young-m@juno.com>
Subject: Re: TPR
>>TPR is best used to acquire vocabulary.
To teach grammatical structures with TPR you just set up a command that
uses the structure you want to highlight.
Subjunctive: (This sounds so funny in English, I'll give examples in
French)
Je veux que tu prennes cette gomme.
Il faut que tu fasses ce dessin tres vite. Il est important que Jeanne
ait son stylo noir. Dites-le-lui.
Past tense:
Pick up the paper that Joe put on the table. Write your name in the
circle that Anna drew.
Future:
Copy the picture that Mike will draw.
Point to the box that I will touch.
I will open the envelope that you will choose.
Other structures:
Donne ce stylo a' la fille a' cote' de la fenetre. Donne ce stylo au
garcon pres de la porte. Then:
A qui est-ce que tu as donne le stylo? Au garcon ou a la fille? --
A la
fille.
etc.
You do have to get beyond the point where all they do is perform
commands. They need to have a chance to answer, too. The commands serve
as a super-visual aid.
Mary Young
======================
97/09 From-> Deby Doloff DebyD@aol.com
Subject: Re: TPR
I have done TPR with many different ages. It is extremely successful
with young kids. When they turn into teenagers, it is more difficult
because they are self conscious. With adults, it's almost impossible.
They don't want to get out of their seats. Anyway, there are ways.
TPR means moving your body in some way. You could do it sitting down.
Asher has colorform kits that he uses. I've used these and they work
well. You could also have a kit made out of paper -- one for each
student. For example, a copy of a picture of a farm and pictures of
animals which students could cut out or which you cut out in rough
squares. Then you could give commands to place the animal somewhere
in
the picture -- Put the cow in the barn. Put the chicken on top of the
cow. Etc. I've also had students make their own small clocks using
those
brass paper connectors to hold the hands on the clock.
Then we practice telling time. I say the time and they hold up the clock
or another student gives the time for everyone to put on the clock.
All
you need to do is use your imagination. Not every TPR command has to
be
stand up, sit down, put your finger on your nose. You could have them
design a character, color it and laminate it. This character could
jump
onto the students head in front of them, could dance on their science
book, could ride the bull in the farm picture, etc. That way they don't
leave their seats but their body is still moving to respond to the
vocabulary. Good luck!
Deby Doloff
======================
97/09 From-> "James C. May" <jaimemay@execpc.com>
Subject: TPR success
I have finished 3 weeks of TPR and gave a test on Friday. The results
were fantastic; 96% got 80 and above; of those 65% scored 100. Only
4%
scored below 80 and those are students who are absent a lot. What I
really thought was interesting though were the comments I asked them
to
write (without their name). Only 1 student said she didn't like it
because "she hates learning of any kind." It's going to be hard to
motivate her :) !
Two students said they would like it more if I didn't give homework!
But
the rest of the comments were positive, i.e.: "I really like the way
you
teach," "I hope you keep on teaching this way," "Keep up the good work,"
"It's fun to learn in here," "I learned more in 2 weeks of Spanish
than
in 2 years of Japanese," "The words just soak into my head," among
others. I have always used TPR in the past the first two days of school
and then went straight to the book because to be honest it was easier
to
do that. Everyone expects to learn from a book and nothing will ever
be
questioned. I had planned to go on to TPRS in two weeks, but I have
already been told by my DC that one of the teachers in my department
doesn't like it that I am doing TPR because no one else is and my
students won't know what students learning from the textbook "know."
James C. May
B. Questions,
Problems and Responses
94/07 From-> Zev bar-Lev zbarlev@zeus.sdsu.edu
Subject: TPR
one problem with beginning with TPR in French or Spanish (and other
languages) is a morphological one: students will naturally assume that
the form they hear is the plain or stem form, which is all they know
from english. later, when they begin speaking, they will tend to combine
this form freely, e.g. *je vienez.
if you correct or prevent this creative extension, you are working
against the natural creativity of learners. they probably won't object
-- but they will pull back on their creativity to be safer. this means
that they will be better comprehenders than speakers.
for this reason i use and recommend starting with giving students the
means to speak creatively. the sequence is rather complex in the
beginning, but it does encourage creative involvement in speaking,
as
well as a high degree of participation in class.
the first step is: teaching "please" and a small number (at first only
3-4) food words (of masc. gender only in French and Spanish, to avoid
later problems with gender). they can soon play "noisy restaurant",
shouting orders for anything they can, and learning a high degree of
confidence. these students don't have any problem later getting up
and
speaking in front of the class or to a stranger! several lessons of
noisy restaurant are useful, then a sequence of other steps follows.
Zev bar-Lev
======================
94/07 From-> "Cynthia K. Gerstl" <cindyger@wam.umd.edu>
Subject: TPR, etc.
I would also like more information on Zev's strategies.
I would like to get back, also, to the TPR question. I have not found
that my students have combined the 'venez' form freely, as Zev suggests.
I have never heard any of my students say "je vienez'. Perhaps it has
to
do with the way I implement TPR.
I would be interested in hearing from anyone who has experienced what
Zev feels would happen. What was the context? How was the TPR presented?
Cindy Gerstl
======================
94/08 From-> zbarlev@zeus.sdsu.edu
Subject: TPR ???
i was sort of waiting to see if anyone would take up the question of
whether "je venez" results from TPR. but it's been a whole day: i can't
wait any longer to comment in more detail.
it all depends on many factors, of course. if you use the familiar
imperative, then of course there is no tendency to say "je venez" --
altho of course there is a tendency to say "je va".
or, if you always act out "I" forms while saying them along with
commands, then of course you will teach both forms at once. and of
course students will get used to wondering what the "other" form of
any
verb they learn is. (this, to my mind at least, is not an unambiguous
benefit, altho it may seem like one to some teachers.)
in any case, the details in spanish are of course quite different.
but a general principle remains: how to teach the multiplicity of forms
AND how to teach the language communicatively. in languages like English
in which the imperative is the base form, there is no big deal. in
other
languages, the problem is (1) which form to begin with, and (2) how
to
introduce other forms.
i have two reservations about TPR, at least as the main method for
initial lessons: (1) it puts main focus on the imperative, which
(depending on the language and other considerations) may be a problem.
but (2), TPR can also engender passivity vis-a-vis speaking, because
(i
believe) students must sooner or later speak -- indeed speaking is
probably their major skill-goal. and whenever they begin to speak,
they
must overcome psychological as well as structural hurdles.
Zev bar-Lev
======================
95/03 From-> Zev bar-Lev <zbarlev@mail.sdsu.edu>
Subject: defense of my complaint about TPR
Thanks to those who disagreed with my position on TPR (namely that it
encourages overgeneralization of imperative-forms, unless some other
artificiality is introduced, such as discouraging speaking). Responding
to these disagreements:
It is perfectly true that TPR can teach much more than the imperative.
My complaint was also about the artificiality of doing so -- which
i
think the disagreeing examples show!
E.g. "Mary, while John is writing his name, you stand up and count to
10" is quite a complicated structure. Is this how the full present
tense
is taught? How long is it before you can use such examples -- and
furthermore use them in sufficient abundance to provide examples of
the
full present tense? Do you do this all on the first day? Or does it
take
a week or so? Or far more? (I'd be interested to know.)
However long it takes, are students not talking at all meanwhile? If
they are not, I think (heretically, no doubt) that they are learning
to
be all too passive in the L2. I also think that, if they are being
bombarded (no matter how gently) with such a variety of forms --
imperatives and various persons of the present all at the same time
--
this very barrage will either confuse them, or confirm them in their
quiet passivity.
And if they do talk, what forms will they use? Will they not
overgeneralize anything? (That would be remarkable!) Or it is believed
that their mistakes will wash out? (I believe that student confusion
about forms can, indeed must, lead to errors, and that not all errors
are washed out by input; on the contrary, many could fossilize within
the limited time of a FL classroom. Much acquisition theory either
denies much of what I'm saying, or ignores the problem, but that's
life.)
(Again I'd be interested in what happens in real classrooms, TPR and
others, which obviously exhibit a wide variety of all sorts of
strategies and reactions. The broadest question is, is acquisition
happening in the classroom? If it is, how are teachers managing the
errors that are a part of acquisition? Or have some teachers discovered
some technique whereby errors are by-passed? I am not being sarcastic:
I
do think -- as my original comments presuppose -- that curriculum,
including curricular order, affects accuracy.)
Zev bar-Lev
======================
95/03 From-> Marilyn Barrueta mbarruet@pen.k12.va.us
Subject: Re: defense of my complaint about TPR
According to Zev bar-Lev:
>(Again I'd be interested in what happens in real classrooms, TPR and
others,
>which obviously exhibit a wide variety of all sorts of strategies
and reactions.
>The broadest question is, is acquisition happening in the classroom?
If it is,
>how are teachers managing the errors that are a part of acquisition?
Or have
>some teachers discovered some technique whereby errors are by-passed?
I am
>not being sarcastic: I do think -- as my original comments presuppose
-- that
>curriculum, including curricular order, affects accuracy.)
>
>Thanks again, Zev
Zev -- With regard to your last paragraph in particular -- I posted
a
request for any suggestions on how to deal with a student who, after
years of immersion class, uses only the "you familiar" preterite form
of
virtually every verb, regardless. He himself is aware of the problem,
and wishes to improve, but is finding it VERY hard to do so after so
long of not having anything done to correct this. It's actually rather
bizarre listening to him say the strangest things quite "fluently"!
Although I, too, believe there is fossilization, have to state that
Bill
Van Patten (U. Illinois) stated at the fall AATSP session that it does
not occur -- according to him, and I believe I understood him correctly,
that even when you have older people who have been making the same
L2
errors for years, they are still just in a phase, which presumably,
if
they lived long enough (150?), they would correct. If anyone knows
Bill
or feels I am not accurately reporting, please correct!
Marilyn Barrueta
======================
95/03 From-> Todd McKay <tmckay@ccantares.wcupa.edu>
Subject: Re: defense of my complaint about TPR
Zev,
With all due respect (since you do like to explain your views). You
really should look into the TPR approach more carefully to fully
understand its benefits and to argue its shortcomings. You asked in
your
defense "Is this how the full present tense is taught? How long is
it
before you can use such examples".
The answer, in short , is that this isn't how the present is always
introduced and taught in the classic TPR approach. Many instructors
choose to move from the imperative to asking simple present tense
questions like, "Is Sue touching the ball?", where students can answer
in short by responding "yes" or "no" while fully understanding the
question and transparently learning the tense. This is much the way
young children learn L1, by means of command oriented input requiring
ACTIVE (not passive as you see it) physical response. This does take
time, it doesn't happen overnight as we're all aware. For some students,
it takes a relatively short period of time, while others need more
time.
Which leads to my last point, that of your term "artificiality".
We, as language teachers, are attempting to aid students in their
language acquisition in classroom settings which are inherently
"artificial", as opposed to being in an actual country where
language/culture constantly surrounds individuals. I feel I can speak
on
behalf of some of my colleagues by stating that the TPR method is one
more effective (check the research that's been done) means of involving
students in this process we love so much -- language acquisition and
learning. I hope some of this is helpful.
Thanks for your interest. --
Todd :)
======================
95/03 From-> BuckBuck11@aol.com
Subject: Re: defense of my complaint about TPR
Regarding the fossilization of errors:
I had a student teacher, who had even lived in Sevilla, who had always
"gotten by" with his language and considered himself fluent.
Unfortunately, while he might be considered to have had some level
of
proficiency, it was not at all adequate. It wasn't that he made errors
in his speech (because we ALL do that, even in L1), but that he could
not hear his own errors nor the errors of my students because he had
no
clue to the rules (grammar) of the language. There were too many times
when my Level III kids had to correct him.
At the point he tried to make improvements, he was unable to because
so
much of what he had to do was to unlearn errors which were undoubtedly
repeated hundreds of times. After eight long weeks, the college
supervisor and I had the unenviable task of terminating his student
teaching.
I believe in error correction in most cases, except in spontaneous
speech (It's rude to interrupt, but I will rephrase correctly) and
pair
dialogues. In teacher directed developmental activities, I correct
and
make the kids repeat the corrected version.
Bill Heller
======================
95/03 From-> Zev bar-Lev <zbarlev@mail.sdsu.edu>
Subject: Re: defense of my complaint ...
Using yes-no questions (alongside commands) as a way to emphasize the
indicative 3rd person strikes me as a *wonderful* way to overcome the
bias (that I perceive in TPR) towards imperatives. Still, however,
this
means presenting students with multiple forms of single words from
the
first moments of their study, which (IMHO) confuses and intimidates
some. (And the physical interaction still emphasizes the imperative:
Wasn't the power of physicality the rationale of TPR?)
Thanks to Marilyn for reminding us that fossilization is a real problem.
(I would only add: ... along with fear and confusion.) While all
fossilization can't be blamed on early confusion from multiple or
non-optimal forms of words, why shouldn't we do all we can? Of course
attitude and need are important -- but we can hardly seriously accept
the idea that someone who has been using a form for a few decades might
subsequently stop using it. Why not help by presenting a more carefully
controlled linguistic environment? (van Patten has also argued for
"one
form at a time -- although not in as extreme a form as I have argued
for.)
Zev bar-Lev
======================
From: Donald Webb <dwebb@uoguelph.ca>
Subject: Crawling and walking
>[...] Many students do want there to be easy-to-remember rules of thumb
>for figuring out how to fill-in those blanks, preferably without actually
>having to read and comprehend the entire sentence.
I suspect that students -- which we've all been or perhaps still are
--
are essentially economical: if they do the job, they'll do what's
necessary to finish it. If they define the job as filling in blanks,
they'll take the path of least resistance.
The teacher's objective, then, would be to make it necessary and
presumably worthwhile to comprehend the entire sentence. What that
implies for filling in blanks, I'm not sure; I imagine that under some
circumstances they can be useful.
Exceptionally motivated and creative students may redefine tasks more
broadly than the assignment calls for, but it's not something one can
expect as a matter of course.
>But you can't speak a language by processing rules on a conscious level.
>The human brain just isn't built that way.
True enough, and I would add that one must be a novice before becoming
an expert, crawl before learning to walk. That involves learning the
rules and practicing them. To play chess, one must learn first how
to
move the pieces, including such "exceptions" as pawns' taking _en
passant_ and castling; in strategy, which endgames are winnable and
which aren't; in tactics, things like forks and pins... in short, the
elementary and advanced "grammar" of the game.
But even intermediate players, like language speakers, can't and don't
think in terms of rules as they affect isolated pieces on the chessboard
or words in a sentence: they see the situation as a whole and process
possibilities subconsciously. The same can be said for any other skill,
I'm sure, be it playing golf, piloting a plane, doing carpentry or
driving a car. Pilots don't think of themselves as flying a plane so
much as flying; drivers, not as driving a car, but as driving. But
they
all had to start with rules and with practice.
And mistakes become a very valuable tool in learning. Except that in
chess their nature and consequences are usually much more immediately
obvious than in language learning. The important thing is not to expect
too much, too soon: attempting to have students imitate intermediate
or
advanced skills at the novice level will only lead to mistakes that
might be avoided by proceeding more systematically and with more
patience.
Donald Webb
======================
97/09 From-> JESSICA R MEISNER <sprite7@prodigy.net>
Subject: TPR TECHNIQUES USED IN THE SECONDARY CLASSROOM
I have effectively used the TPR technique in my elementary classrooms.
After this year I will be teaching French, German and Spanish in the
secondary classroom. Does anyone use this technique in the secondary
classroom? Can it work there? I ask because I really liked using this
method with my kids and they responded well to it. They learned so
quickly. If you have any ideas as to how to apply this approach in
the
secondary classroom, please let me know. I really have had no experience
with it with kids at this age level. Thanks......
Jessica Meisner
From: Jo Benn <BENNJ@TEN-NASH.TEN.K12.TN.US>
Subject: Re: Communicative versus Grammar?
TPR
Zev bar-Lev expressed the concern that if students are taught using
TPR,
they will not learn the appropriate forms of the verb for first person
(and
I assume third person) but will generalize and use the imperative form
across the board. I am a French teacher, but understand this
would be even
more of a problem in Spanish because the subjunctive is used for
imperative. It should not be a problem because all tenses and
persons can
be introduced using TPR methods. When you say "John, go to the
board and
write your name. Mary, while John is writing his name, you stand
up and
count to 10. Paul, when Mary has finished counting, tell her
to sit
down,"the students are expose to various tenses and forms. These
are silly
examples that I made up quickly and of course, you need to organized
and
introduce forms in appropriate sequence. TPR is much more complex
and does
so much more than teach the imperative!
My two cents...
Jo Benn
Harpeth Hall School
======================
95/03 From-> Joyce L Szewczynski <joyces@frital.umass.edu>
Subject: Re: defense of my complaint about TPR
I've been looking at the authenticity of the tasks/activities I ask
my
students to do. I've also asked my student teachers to think in
"authentic" terms. For example, one of my student teachers in Italian
did a great lesson on food/ menus etc. and is having her students create
their own menu. We talked about why the students should do this. No
matter how much fun it may be (and that certainly is important), if
it's
lacking an authentic aspect, then the sole purpose of doing the activity
is to please the teacher. So we thought of what people in the "real"
world do with menus. Answer---use them in restaurants. So, my student
teacher is going to call an Italian restaurant in the town and ask
if
these student- generated menus can be displayed there. She thought
that
her first year students - mostly high school freshmen would get a kick
out of that.
Another quick example...writing letters. What purpose does it serve
for
students to write a letter and never send it any where? Putting students
in contact with native speakers in as many ways as we can so that
communication can happen is one of the best answers to the "why bother"
question.
Joyce Szewczynski
======================
96/01 From-> "Terri L. Wilbanks" <twilbank@jaguar1.usouthal.edu>
Subject: Re: Seeking comments on TPR
I teach beginning Spanish at the college level and I like to use TPR
from the beginning. I teach the commands by demonstrating what I want
by
using the present tense and then using the command forms with my
students. ( I sit down. I stand up. Then I motion and say "Sit down",
"Stand up".) The verbs may be in different tenses but students recognize
them and since they can watch each other for confirmation, they feel
at
ease. We even play "Simon dice" at this level and they enjoy it! I
was
most surprised when a 70 year old auditor of the course was joined
by
her husband one class and she told him in the correct form to come
in
and sit down! Charades works well when introducing new verbs. I print
the verb on a card and the students act it out and their classmates
have
to guess what they are doing.
Terri L. Wilbanks
======================
96/01 From-> TODD B BOWEN <tbowen@mccsc.edu>
Subject: Re: Seeking comments on TPR
We use TPR in all beginning classes (Latin may be an exception....)
to
introduce listening to the language for meaning, introduce some basic
vocab and skills that will be used throughout the language study. Those
skills are recycled by some teachers during the year or in other levels.
Some skills become routine (go to the board, open your books, etc.).
Passive skills obtained via TPR become active later (vocab primarily)
even in successive years of learning. We find TPR to be an essential
part of the learning process.
Todd Bowen
======================
96/01 From-> James May <JaimeMayo@aol.com>
Subject: Re: Seeking comments on TPR
I give commands to students just starting an FL. I then throughout
the
year introduce concrete vocabulary, i.e. using children's clothes
cheaply available at thrift shops. First, I tell what the clothing
is,
then I do a forced choice (Is this a dress or a shirt?). I then give
articles to class members (Who has the dress? What does Andrew have?
Lisa, find the socks and give them to Scott, etc.) As a follow-up,
I
usually give them a drawing quiz in the FL of the items taught to make
sure students have been paying attention. They don't have to label
anything; they just draw what I describe in the FL.
As has already been noted, too much of it can be boring for both teacher
and student, but it is a great teaching tool to have in your bag of
tricks.
James May
======================
96/01 From-> Cynthia Morefield <cmorefield@lfelem.lfc.edu>
Subject: Re: TPR
I find TPR very useful to teach action verbs. I find this very "real
life " as the students cannot be taken to a lake to just learn the
verb
"to swim". Through TPR I can show them and they can feel the action
as
opposed to saying "nadar is to swim". The students also take
responsibility for their learning by teaching the others the actions
as
I say them. I find that they are more comfortable in class as TPR really
lowers anxiety. Although I feel that relying on one method would deprive
students of different learning styles, so it, as stated by some one
earlier, is only one thing in my bag of tricks.
Cynthia Morefield
======================
96/08 From-> Dawn Smith <dsmith@centuryinter.net>
Subject: TPR with large groups in small rooms
This subject became important to me last year when my Spanish I classes
jumped from a 15 student average to 31 in one class and 25 in the other.
Here's what I did.
I started out the year with the first few TPR lessons from Voces y
Vistas (Scott Foresman) to get them going. Then I switched to mostly
things that they could do standing behind their desks with the whole
group responding. I found the following commands worked quite well:
stand, sit, touch, point to (everything from school items to a girl
with
red hair, or wearing pink socks), put, lift, jump, and turn around.
Touch and point were particularly effective and can be used in
combination with almost any noun or adjective.
For instance I used a set of paper plates, cups and silverware for each
student to teach both table settings and prepositions of place. (Put
the
cup under the plate.)
To teach colors and numbers, I use a class set of 2" x 3" cards. Each
set consists of one card for each number 0-9. Each number is a different
color. (all ones are blue, all twos are red, etc...) I made the cards
from construction paper and laminated them. I've used the same set
for 5
years now. I used chalk to write the number on the black cards. To
teach
numbers, I use the commands touch three, raise three, put three under
four, etc... For colors I use similar commands and add oral practice.
(What number is red?)
Dawn Smith
======================
96/08 From-> Nilsa Sotomayor <Novela3525@aol.com>
Subject: Re: TPR with large groups in small rooms
Hola!
After I came back from a seminar with Dr. Asher, I began incorporating
TPR (Total Physical Response) in my classes. I do not give my students
their books until they have had at least 2 weeks of just TPR. With
my
Spanish 2,3 and yes 4 students I review TPR commands, and they follow
commands given by me and their peers.
In order to do TPR in large groups you must teach them in small groups.
Once they can all follow the basic commands, I then do it in large
groups. For example, I have si/no paddles for each student. I will
ask
questions on the vocabulary (Es un libro?) They show me the appropriate
side of the paddles. (paper plate with a popsicle stick taped to the
bottom. Write si on one side and no on the other.)
You can do the same with clocks. (I made mine with paper plates) Each
student has one and responds to my statement on the time. (Son las
diez
y cuarto)
I have laminated shapes of different colors and shapes. I hand them
out
so that each student has 4-5 shapes. I then say: Enseneme el triangulo
rojo grande. The student who has it will show it to me by raising it.
OR
Tire el circulo verde pequeno. etc.
Nilsa Sotomayor
======================
96/11 From-> Nilsa Sotomayor Novela3525@aol.com
Subject: Re: USING TPR IN CLASS
I use TPR quite a lot. In fact my Spanish 1 students do not see their
textbooks until after the first month of school is over. We use TPR
the
whole time. After they get their books, I incorporate it as much as
I
can. I still use it with the other levels. I'm really busy today, but
I
would love to share some ideas with you. For example, how I do my
lessons and what "props" and realia I use. Hey, I use anything from
Barbie dolls to real fruit!!
Nilsa Sotomayor
======================
96/11 From-> Nilsa Sotomayer Novela3525@aol.com
Subject: TPR BASICS
A workshop by Dr. James Asher changed my way of teaching dramatically.
I
felt guilty because my students had not enjoyed this method.
I enjoy
using various teaching techniques in my classroom, and TPR is one of
the
best. With TPR, I have found that not only am I able to use it with
beginners, I can also incorporate it with my intermediate and advanced
classes.
The basic idea (and there IS a lot more to this) is that we should try
to duplicate how we learned our L1 to learn L2. You begin by introducing
the students to basic commands. I begin the school year by informing
the
parents what I'll be doing with there children. The first day of school
I briefly explain to the students that they will not be using their
books till later. Then I tell them that by the end of the class that
day, they will be able to understand 8 commands!
They never believe me--but they always end up understanding the
commands. With Spanish 1, I do TPR for a month and a half before giving
them their textbooks.
Now I use a lot of props, pictures, Barbie Dolls, etc. I use index cards
where I write down all the commands for the particular lesson, examples
of different commands, props needed, vocabulary introduced, etc. The
first you use TPR, you'll need to buy, make, or borrow (from your kids!)
your materials. After that , I keep all my lessons on index cards (so
I
can move around while I'm giving commands), and all the props labeled
in
plastic boxes.
The following are the first commands I teach: Stand up
Sit
walk
stop
turn around
jump
point to the door, the table
You first show 3-4 volunteers. Place 5 chairs in a row at the front
of
the class. Students sit and so do you. Say the commands and demonstrate.
Then have students do them.
Then call on students 3 at a time so that they are never up alone.
TIP:
I always have index cards for every student with their names on them.
That way I know I'll call on all of them randomly. I use these cards
to
record there participation in class. I also have the day's lesson on
index cards. I use the neon color. I use a different color for every
class. Well I need to go. I will continue tomorrow or Saturday. :-)
Nilsa Sotomayer
======================
97/04 From-> Mike Miller <moose@cmsd.k12.co.us>
Subject: Re: TPR Strategies
Yes, I have a neat idea. This has been done before, but I'm trying it
for the first time. Once a week I give my students 10-15 minutes of
silent reading in the TL. I have assembled some "cool stuff" including
some of the FL magazines for American students out there (there are
several companies). Students choose whatever they like to read and
simply write down 3 or 4 things that they learned. . . usually new
words
which they try to guess from the context (I love that-they're usually
right on, too) or perhaps cultural tidbits. They turn in this paper
and
I give them some points (I haven't yet worked out a good system for
that. . .I want them to spend their time reading; not writing. Still,
the students are so excited to write down all the words they found
that
it is common to see 20 words on each paper). I don't have any measurable
results yet, but the students enjoy the exploring, I get 15 minutes
to
do whatever I need to do, and students pick up words that I don't even
know, so I end up learning from their reading. That's PSC (purdy
stinkin' cool).
Mike Miller
======================
97/08 From-> Richard Snyder <rjsnyder@gacs.pvt.k12.ga.us>
Subject: Re: FrI/first week/80minute block/HELP
I play a game on block day (90 minutes) and try to read or have some
fun
halfway through. I am doing TPR this year (exclusively--it is the
best!) and found the block time helpful. My 2nd year played a game,
learned new words, and updated their pictoral dictionaries. My first
year (this is both German) played the same game and just learned new
words. Had a good time. I also give a short break in the middle, mainly
for my sanity! If you can do WWW at your school, this would be a good
day to do some exploration. Those French sites look great!
Richard Snyder
======================
97/08 From-> Gustavo Benedetti <Gbenedetti@MOELLER.ORG>
Subject: Re: All by myself
Megan, about your commands.
It is obvious that the time you spend is based on the amount of commands
you have in mind. Actually, I give commands to my Spanish I class the
second day of school and the activity takes some 20 minutes. I have
21
different commands which I do not expect students to learn them all
immediately. (By the way, I assign Spanish names to students before
giving them any commands. This way I have a better chance to make my
class a friendly environment for students when trying to verbalize
their
first encounter with the TL) I project the list of commands (in Spanish)
through the overhead projector and read the words or sentences. During
this, I use every possible hand signal that I can imagine in order
to
help my students discover the meanings.
This kind of approach is very easy to do. MOVE around the classroom
as
much as possible. One of the first commands that I teach is "how do
you
say it?" from which I can move very easy from command to command and
without the use of the first language. After the introduction by
listening, I make students repeat the sounds and do a TPR session in
which all class has to respond. Finally, and after students have written
the commands, they, organized by partners or in groups of three, will
do a TPR class activity with the use of commands. Be aware that the
class atmosphere will be noisy but productive. It has worked in my
class.
Gustavo Benedetti
======================
97/08 From-> Jeff Amdur <jefam@home.com>
Subject: Re: TPR
I tend to use TPR activities also as "memorization" aids, such as
"preposition calisthenics", where I have a set series of gestures
associated with common spatial prepositions (both French and Spanish),
and the students go through the exercises as I blurt out "devant!",
"autour de!" "dans!", etc. My colleague who teaches AP Spanish V never
fails to note that his mention of certain prepositions to the students
in those classes still elicit those "calisthenic" responses in those
students that had me for Spanish II way back in their freshman year.
Another strange thing I do is the "future tense cheer", where I have
the
students (sometimes sitting, sometimes standings) act as cheerleaders
as
they blurt out the future tense endings. The purpose of this is to
ensure that the students remember that the endings are added to the
infinitive and that the "r" sound always precedes the endings:
French: RAI! RAS! RA! RONS! REZ! RONT!
Spanish: ¡RÉ! ¡RÁS! ¡RÁ! ¡RE-MOS!
¡RÁN!
(my apologies if those Spanish exclamation points and accent marks
didn't show up on some people's screens. I assume that my fellow Mac
people at least could read the accents if they're not on a UNIX screen)
Jeff Amdur
======================
97/08 From-> Dana Thacker <Wdjmt@aol.com>
Subject: Re: All by myself
DO the TPR! Allow them to copy the words afterwards, but do NOT do the
conjugations… you will lose them... Write a script for your TPR. Try
to
get at least 2 other activities "just in case"...Oh, and take your
vitamins!
Dana Thacker
======================
97/09 From-> Sue Alice Shay <shaygsa@win.bright.net>
Subject: Re: ISO TPR ideas
Any verb which could be acted out is great for TPR.
Me gusta el tennis--can be dramatized or at least kids can do the
motions with hands
Me gusta el beisbol.
Sometimes we have played charades. Put slips of paper with the verb
on
it or the phrase. One kid acts out, others have to guess.
Sue Alice Shay
D. Creating
a “Natural” FL Environment
95/03 From-> Ania Lian <ania@lingua.cltr.uq.oz.au>
Subject: Re: defense of my complaint about TPR
>>.. We, as language teachers, are attempting to aid students in their
language
>acquisition in classroom settings which are inherently "artificial",
as opposed
>to being in an actual country where language/culture constantly surrounds
>individuals. I feel I can speak on behalf of some of my colleagues
by stating
>that the TPR method is one more effective means of involving
students in this
>process we love so much -- language acquisition and learning.
A very important distinction was made here i.e. that of the classroom
and the "natural learning". If the "natural" means environment where
language is used and if teachers' goal is to help then why not to create
an environment where language is used in its cultural and whichever
natural context?
This posting recalled children acquisition. The most important thing
about it is that they learn not in the classroom filled with teachers
referring to the descriptive rules of *the language learnt* but in
an
environment where language is used.
I think that in the world of technology creating such an environment
should not be too difficult. In fact, the possibility of offering
students help in their learning offers an advantage over the really
natural learning which often results in a pidgin form of the language
learnt in spite of the 20 , 40 yr long exposure.
So the issue would be how to design such a "natural" environment which
would offer the opportunity learn L2 in its natural context and which
pedagogically would cater for awareness raising, learning autonomy
development and which would help students feel that they achieve when
they achieve.
Ania Lian
======================
95/03 From-> Laura Kimoto <kimotol@uhunix.uhcc.Hawaii.Edu>
Subject: Real-life Imbedded TPR
Dear Everyone,
I for one enjoy using TPR as a teacher and as a learner of another
language. A variation of this is the reading action chain in which
students pick up slips of paper that say, "After someone has said
'begin,' clap your hands three times." "After someone has clapped their
hands three times, meow like a cat." etc. etc. Students pick the slips
of paper at random so they don't now who will do what, when.
However, I've always wondered where the contrived context and silliness
in 'put your book on John's head ...' fits in language acquisition.
I
mean, children as well as adults can enjoy such a class, but they may
just see it as 'playing around' and not really serious learning of
another language. In other words, they will leave the classroom and
not
try to apply what they learned in that funny context to the real-world
outside.
I've experienced for myself and observed TPR in how we learn our first
language and usually such commands as "bring me your cup" is highly
contextualized and said *with a purpose*. In one example, a mother
asked
her daughter if she wanted more juice, the two-year-old daughter nodded
yes and therefore the mother said, "bring me your cup." The daughter
dropped her cup by mistake so the mother said, "Oh, pick it up." etc.
etc. And this purpose in giving such commands was to communicate and
not
just to expose the listener to many different verb tenses, vocabulary,
or prepositions.
I would think that a more contextualized way of using TPR would be to
do
a cooking demonstration (could be with gestures) in which the teacher
explains the steps to the recipe and students follow along. Or, (for
Japanese) where the teacher explains how to do origami (paper-folding).
What do you think? And does anyone have more examples of real-life
imbedded TPR?
Laura Kimoto
E.
TPR as Complementary to Other Methods
94/07 From-> "Cynthia K. Gerstl" <cindyger@wam.umd.edu>
Subject: TPR
I fully agree with "Pete" Brooks ideas for beginning French and Spanish.
TPR is a great way to begin the school year -- and it doesn't make
any
difference whether your students are children or adults. It works with
everyone.
There are several really good books out on TPR, both theoretical and
practical- in several languages. They are good guides to start with
--although you could use TPR w/o any text -- by having the students
play
"Simple Simon" type games. But if you want to do more with TPR, more
intense grammar, greater amount of vocabulary -- Bertha Segal has a
number of really great books out.
Cindy Gerstl
======================
95/03 From-> BuckBuck11@aol.com
Subject: Re: TPR
TPR is valuable as one method practiced several minutes a day,
especially at the beginning levels to train the kids ears to pick out
the gist of an utterance at natural speed. It is also good to promote
active learning. It is also valuable in teaching body parts and clothes
vocabulary.
Any technique can be overused and lose its effectiveness. There are
so
many good techniques that effectively address the many and diverse
skills of language acquisition that for a teacher to select only one
approach is a grave mistake. There are plenty of active learning
activities other than TPR which promote student participation and
attention.
I value FLTeach in that it gives teachers an opportunity to share
successful ideas from varied sources so that I can have a huge banquet
table of effective techniques to nourish my students in the unique
setting in which I teach. Keep those cards and letters coming!!!
Bill Heller
======================
95/03 From-> Dr. Madeline Ehrman <LME%NFATCBN1.BITNET@UBVM.cc.buffalo.edu>
Subject: Re: defense of my complaint about TPR
This is a response to Jeff Barnett's message about TPR, in which he
(in
my opinion) sensibly pointed out that TPR is complementary with other
approaches and methods, not exclusive of them. In the mid-eighties,
I
worked with a team of Turkish language teachers at FSI to design a
delayed production introduction to our Turkish course of 23 or 44 weeks,
full-time intensive.
This intro. phase ended up being a week long. It included a wide range
of activities, and TPR-type things played an important role. But they
were part of a mix of a variety of activities, the purpose of which
was
to provide a kind of low- anxiety, shallow-end-of-the-pool entry into
Turkish. Seemed to work well in tandem with other things--the goals
of
the training were more important that (sorry--than) the purity of method
and choices were made as our purposes indicated a need.
Madeline Ehrman
======================
96/01 From-> Dorcas Herr <dherr@chatlink.com>
Subject: Re: Seeking comments on TPR
I use TPR as one aspect of my overall program. Most of my students love
it, a few don't. I teach 1st and 2nd year in the community college.
It
is not required, but it's fun and effective. It seems to address the
needs of students who sometimes have difficulty with other methods.
If
you would like more specific information, send me an email.
Dorcas Herr
======================
96/01 From-> Bill Heller <BuckBuck11@aol.com>
Subject: Re: Seeking comments on TPR
TPR is one of many tricks that a good world language teacher should
have
in his/her bag of tricks. It is especially good for teaching body parts,
classroom objects, and prepositions of place. I've also used it to
teach
place settings.
It you do just TPR it gets boring for the teacher and the students.
I
combine it with lots of other techniques to make a complete program.
TPR does help develop an ear for the language in the students. They
seem
to learn how to run with a flow of language to pick out the key stuff
and not bog down when they hear a word that they've never heard before.
Overall, it's a helpful teaching technique, not a religion. Peace,
Bill Heller
======================
96/01 From-> "Joseph J. Goebel Jr." <JJGOEBEL@VM.TEMPLE.EDU>
Subject: Re: Seeking comments on TPR
We use TPR in our basic Spanish 1,2,3 classes (Como se dice) as well
as
in our intensive, one-semester immersion program (Dos Mundos). The
college students appear to thoroughly enjoy it. We use it a great deal
during the first few weeks of classes because it allows the students
to
show that they understand without trying to respond orally. This builds
their confidence and helps them to see that learning a foreign language
doesn't have to be boring, dull, or difficult. TPR also involves the
students more actively in the classroom experience. I would highly
recommend it as one technique in a teacher's " bag of tricks!"
Joseph J. Goebel J.
97/03 From-> Julianne Baird <JJBaird@ligtel.com>
Subject: Re: TPR Storytelling video
There is still a lot of confusion concerning Blaine Ray's Storytelling
technique. I'd like to explain how it works, but I have to insist that
reading about it is a lot different than seeing it. I would never have
tried it if I just read how the method works. Fortunately I was first
introduced to the method by someone who attended a TPR workshop. She
was
having phenomenal success with her students that I tried it and I am
so
glad that I did.
Here's the method in a nutshell. (The basics but still lengthy)
Blaine Ray started developing this method after years of being
frustrated with TPR. TPR worked great for the first month of the school
year, but then it just ends. He wanted to figure out how to move kids
from hearing the language and responding to having the students speak
in
the language, generating their own sentences. He noticed that students
learned the vocab much quicker and internalized it more through TPR
than
through vocab lists and exercises in the book.
After 4-6 weeks of classical TPR, the kids move toward using the
language themselves, by using Blaine Ray's Storytelling method. He
has
short mini-stories that are funny, cute and stupid. The kids first
learn
the vocab for the story by using Hand TPR. American Sign Language works
well for this, but you can also create your own signs. He goes through
the vocab and has the kids perform the sign as he says the word. He
teaches words in group of 3. Three new words at a time with lots of
reinforcement.
After the kids learn the vocab, he tells them the story. He retells
the
story several times - always with a slightly different explanation.
The
story stays the same, but he might add more adjectives, more
description, etc. The slower students need to hear the story several
times to get the plot. The brighter kids will get it the first time,
so
embellishing it each time you tell it, keeps their attention and
sharpens their listening skills.
The next step is to retell the story with mistakes so the students will
correct you (in the target language of course) or ask questions about
the story.
After that, the students work with a partner to retell the story. First
they work quietly at their desks and then some of the students will
retell the story in front of the class. The fluency that even first
year
kids demonstrate when retelling a story is incredible.
There are usually two additional versions to the story that the kids
can
tell. But the best part of the whole process is that the kids get to
compose their own stories with the vocab that they have learned in
the
current story. The kids become quite creative and come up with really
good stories all in the target language.
While the students are telling their stories or composing their own
stories, they do not have any vocab sheets or written sentences in
front
of them. There can see the pictures of the stories, but there are no
words. The kids retell the stories and make up their own using the
dictionaries they have created in their minds.
It is a very powerful teaching method because it gets students away
from
staring at papers to talk and they remember the vocabulary so well.
My
second year students who started this method in the middle of last
year
can talk better than my fourth year students who just started this
method this year. My second year students speak more, speak faster
and
use more advanced constructions than any of my other classes. It is
really amazing.
I hope this explanation helped. It is a rough outline of how to do the
storytelling technique. If you have any questions, please write back.
I'd be glad to answer any questions I can. I am not an expert on
Storytelling, just one very enthusiastic teacher who has seen the
difference this method makes in getting students to speak more (write
more, understand more, etc.)
Julianne Baird
======================
97/03 From-> Georgette Blemker <GBlemker@aol.com>
Subject: Re: Question re: TPR Storytelling
I am sure Julie will tell you that teaching this way INSTEAD of using
the regular text is the way Blaine Ray promotes his method and it
probably is the best way. At my school, I have to use the regular text
book but I sneak in as many stories as I can. This year so far I have
done three. While this may not be ideal, it really is beneficial. The
kids talk more, they communicate more about every day stuff. I only
started this last year with what is now my second year class. Even
when
we are using the text book, their skills from story telling carry over
into everything else. And it is a great motivator. They often ask when
we are going to do another story. So, even if you can’t devote all
your
time to story telling, give it a try!..........
Georgette
======================
97/03 From-> Julianne Baird <JJBaird@ligtel.com>
Subject: Re: Storytelling
Since this is my first year with Storytelling, I do a story and then
a
chapter in the text and alternate back and forth. Of course we aren't
getting very far in the book, but my students are doing a great job
remembering and using the vocab that they learn in the stories much
more
than the vocab they learn through the book. Some people who have used
the method before abandoned their books, because they kids were learning
more with the stories. Grammar is taught indirectly with storytelling.
You don't concentrate on it, you just put it into the story and the
kids
hear it over and over until it sticks.
Others on the list might being using storytelling exclusively, but I
am
alternating with the book. So are the others in my department.
Julianne Baird
======================
97/03 From-> Lewis Johnson <lewis_johnson@eee.org>
Subject: Re: Question re: TPR Storytelling
Julianne gave such a nice explanation of the TPR Storytelling. Blaine
Ray's method goes from story to story that you can use to replace your
textbook. However, its focus is understanding and speaking, and it
is
light on reading, writing, and <<grammar.>> If I remember correctly,
Blaine Ray doesn't explicitly teach grammar until students are about
to
take the AP test.
However, if your Spanish I students go to Spanish II with a more
traditional teacher, they are going to need to know reading, writing,
and grammar.
A possible solution to this problem would be to add TPR Storytelling
to
your text. That is, write your own stories for each chapter to include
functions, vocabulary, grammar, etc. that are taught in your text.
They
don't have to be great stories. The students love to listen to and
retell stories that are written at their level or a little above.
About 5 days before I start a chapter in the text, I start teaching
the
story using TPR Storytelling. When students have gained understanding
and speaking control of the material, I begin the chapter in the
textbook. They sail through it. The activities are easy because they
already have a substantial control of the material, and they learn
reading, writing, and grammar.
Lewis Johnson
======================
97/04 From-> Elaine Carey <jcarey@u.washington.edu>
Subject: TPR Storytelling
I am a German teacher who has great energy and does crazy things and
kids generally love my classes, BUT I have been frustrated for years
that it is only the GOOD kids, who seem to have a natural aptitude
for
languages, who are truly successful.
This past fall I saw Blaine Ray's workshop for the first time. I was
intrigued and decided to give it a try. i must confess, that although
I
found Blaine highly entertaining and inspiring, I (who am terribly
left-brained) found it difficult to figure out how to START. I read
a
couple of books (Asher's Learning another Language through actions,
Garcia's Instructor's Notebook and Conte and Seely's TPR is More than
Commands). I also looked at Blaine's TPR video.
I did not like the stories in Blaine's book (Sorry to those who do!)
so
I made up my own. I have made mistakes and am still fine-tuning, but
I
must say I am FLABBERGASTED by what my students can DO with the language
and how much they remember (even my weaker kids). So far i am only
playing around with this with my German I's, but I plan to make use
of
it in all my classes next year, and may even do some in the upper levels
before the end of this schoolyear.
I recently attended a TPR workshop organized by Valeri Marsh , but
actually presented by Carol Gaab. It really helped me put the pieces
together!! Much more sequential presentation than Blaine's workshop
(good for us left-brainers!!) and the demo of the Storytelling technique
was in a non-standard language (I don't want to give it away! :-) ),
which really helped me to see how powerful the technique could be.
Anyway, I don't know if I'll switch exclusively to Storytelling, but
I
like what I see so far, and my kids LOVE it and feel very successful.
Elaine Carey
======================
97/04 From-> Julianne Baird <JJBaird@ligtel.com>
Subject: Re: TPR Storytelling
>My question is, how accurate should the re-telling have been? The bare
>details of the story was there in most cases but most of the verb
>tenses, for example, were incorrect, and they rarely used the new
words
>that I had pre taught.
I also had this problem with the storytelling, but then I started using
"guide words." These are phrases or clauses that the students need
to
use when retelling the story. The guide words usually contain the verb
forms or constructions that can't be translated word for word into
the
target language. I let the kids look at these guide words when they
are
practicing with their partners, but they are not to use them when I
call
on them to tell the story to the class. The use of these guide words
have helped tremendously with fluency and accuracy.
Julianne Baird
======================
97/04 From-> Julianne Baird <JJBaird@ligtel.com>
Subject: Re: TPR Storytelling--re-telling stories
>Do you simply write the TPR stories yourself, or do you have a resource?
In German 1 and 2, I use the story in Blaine Ray's book. Actually in
German 2, I translate the stories from English to German because the
German 2 book is not yet available. In level 3 I took German legends
and
rewrote some of the passages but used the basic story from these legends
for our storytelling. German 4 does something all together different
not
related to storytelling.
When I did my own (using the legends) I tried to give the kids too much
too fast and it was a disaster for the first legend. The second legend
I
broke down into small sections and we eventually learned the entire
legend but not all at one time.
For the legends, I drew the pictures myself. I used to draw only stick
figures, but I have branched out and now draw round figures. The kids
laugh like crazy at my pictures but they remember them and the pictures
really help with the storytelling and getting kids focused.
I hope this helps. If none of it makes sense, let me know and I will
try
to explain.
Julianne Baird
======================
97/04 From-> Julianne Baird <JJBaird@ligtel.com>
Subject: Re: TPR Storytelling
In Elaine Carey's thorough description of Storytelling she wrote,
>but the kids who are not somehow innately language gifted are being
more
>successful with Storytelling than anything else I've tried in ten
years of teaching.
I attest to this. I use storytelling in my classroom, although not yet
exclusively. I have one 9th grade boy who is NOT gifted in languages.
He
is a special needs kid who unfortunately has serious problems in his
home life and all of these factors are negatively affecting his
performance in school. German is one of the few classes he is passing.
The kid is lousy with any sort of book work, but he can talk and he
remembers the vocabulary that we learn through TPR (or Hand TPR since
I
no longer have my kids running around the room). Without the
TPR/Storytelling he would just be another lost kid with no hope of
passing the class. However with TPR/Storytelling he answers most of
my
questions in German. This Storytelling method is extremely powerful.
More teachers should learn how to teach it.
I also agree with Elaine that it is necessary to see this method in
action. Just watching the tape and reading the book is not enough.
If
you can't make it to one of the workshops, find someone in a neighboring
school district and ask them to come demonstrate the method for you.
I
learned this way and liked what I saw so much I spent hundreds of
dollars (unreimbursed of course) to fly to Dallas for one of Blaine
Ray's multi-day workshop. It was money well spent and I don't regret
a
dime of it. It is really worth it.
Julianne Baird
======================
97/04 From-> Julianne Baird <JJBaird@ligtel.com>
Subject: Re: TPR Strategies
I am very interested in sharing TPR/Storytelling strategies. I have
one
that I will start with.
I try to average 3 grades a week in my classes and when we are doing
a
story, that is sometimes difficult because the kids learn so well in
class that additional reinforcement (homework) isn't always necessary.
However, I still assign the following and my kids like it.
Once the kids get a list of the vocab words they need to pick out 20
words and do one of the following:
1) Draw that word and label it in German, or
2) describe the word in German, or
3) use the word in a sentence.
My students appreciate the flexibility of the assignment and it really
helps cement the word in their brains.
Julianne Baird
======================
97/04 From-> Michael Kundrat <kundrat@clps.k12.mi.us>
Subject: TPR Strategies
Here's something I do for assessment at the end of a main story. (I
use
Blaine Ray's books, BTW, and we currently need two mini-stories before
we
get to the "big one") Since the primary focus is on communication,
I
certainly want the students to show me they can give a fluent version
of
the story. To save time with my larger classes, on "test day" I'll
sometimes randomly split them into pairs or groups (depending on how
quickly I want things to go), then have each group tell the story to
the
rest of the class. Within the group, I will switch speakers whenever
I
want, so that the next student must just pick up the narration where
the
previous speaker ended. It moves very quickly, which then gives me
sufficient time to test the other areas of comprehension and writing.
Something on the mini-stories...I always have the students pair up and
invent their own. This is what really seems to get the vocab
internalized. Each pair then presents to the class...I encourage the
use
of props (some do & some don't), and have students from the "audience"
act out the new skit as it's being narrated to show that they
understand, and to show the presenters that their meaning is being
conveyed.
I know a lot of you do these things, but there are many newcomers to
Storytelling who might be able to use the help. I'm saying this to
encourage others to share, rather than thinking you won't bother because
you might be stating the obvious. It might not be so obvious to someone
else.
Michael Kundrat
======================
97/04 From-> Elaine Carey <jcarey@u.washington.edu>
Subject: Re: TPR Storytelling
Dear List: I was curious to test my German I's retention of a story
I
taught them back in November, so I retold it to the class and had them
do the TPR motions. So far so good, they had at least retained on a
simple recall level.
So then I did the motions and they chorally said the story back to me.
I
had to give occasional prompts, but amazingly few. Then we retold around
the room, i.e. I started at one corner and each kid took a line until
we
had retold the entire thing. Virtually flawless. The kids were surprised
themselves at how well they did.
Since the narrative was about a day in the life of a typical girl, and
I
felt like the kids needed some practice in the "I" form, I asked the
kids to retell the story as if it were about them. As they dictated
I
wrote it on a transparency. It was no big deal for them. they were
all
shouting out trying to be the first one to say it.
Please bear in mind that German has these wonderful things called
vowel-change verbs (probably the equivalent of irregular verbs in other
languages). They typically cause students no end of pain. These kids
had
no trouble making the manipulations of not only the verb endings but
the
internal vowel changes required with many of the verbs in the story.
The remarkable thing is----I had never explicitly taught them this.
I
had mentioned it in passing a couple of times and they have heard me
say: "ich laufe" in context and "er/ sie laueft" in context. It appears
that they were able to internalize the changes without getting too
cerebral about it. I frankly was completely floored. Their homework
for
tomorrow is to write up a narrative about their own real typical day.
I'll let you know how it goes.
Elaine Carey
======================
97/04 From-> Susan Gross <sgross@cmsd.k12.co.us>
Subject: TPR Storytelling
Yes, I do correct students, but not in a way that discourages fluency.
For example, I may retell a portion of the story with the grammar
corrected. I may use questions which involve using the grammatical
element repeatedly.
Once the students ask about something, (for example gender) I will
briefly explain. I find that more kids start asking about gender after
the ice is broken and it gradually spreads through the class. Something
like gender is difficult for Americans (even teachers goof, so it is
no
surprise that kids do, too!) so I let it develop naturally.
Normally the *manner* of correcting has a much more negative impact
on
kids than the correction itself. If made to feel inadequate, a student
will simmer with resentment. If the correction is indirect or
supportive, the student feels that s/he is passing through a natural
developmental stage and has no particular anxiety in continuing to
use
the language.
The most profound impact of overt correction and explained grammar is
that students become nervous about accuracy. Then they speak with
hesitancy and uncertainty. They write in a hesitant, strained manner
also. TPR Storytelling is a good technique to use for getting students
to speak and write with confidence. I know that some teachers worry
about the "quantity vs. quality" issue, but students who learn language
so that it just starts to "sound right" do as well as or better than
students taught in the "Let's work on getting our contractions right
for
the next week" crowd.
Of course if students do not get correct input, nothing works well!
Susan Gross
======================
97/04 From-> "Marilyn V.J. Barrueta" <mbarruet@pen.k12.va.us>
Subject: Re: TPR Storytelling and error correction
>Yes, I do correct students, but not in a way that discourages fluency.
For example,
>I may retell a portion of the story with the grammar corrected. I
may use questions
>which involve using the grammatical element repeatedly.
>
>Normally the *manner* of correcting has a much more negative impact
on kids
>than the correction itself. If made to feel inadequate, a student
will simmer with
>resentment. If the correction is indirect or supportive, the student
feels that s/he is
>passing through a natural developmental stage and has no particular
anxiety in
>continuing to use the language.
>
>The most profound impact of overt correction and explained grammar
is that
>students become nervous about accuracy.
I agree with most everything Susan says. I would ask what age student
she is dealing with. I think with younger students the indirect method
of rephrasing what they have said correctly or asking questions probably
does have the desired effect. I still have to say, however, that many
years of healing with older teenagers has not left me terribly hopeful
about it as the sole method of correction. It assumes fairly careful
attention to the input, which may or may not be true of less motivated
students. I have a student in 6th year who has also had outside
experience with the language; this student is bright and definitely
not
linguistically challenged. She has never, to my knowledge, heard or
seen
such constructions as "veo e'l"; on the contrary, she has had constant
input and indirect correction -- but neither shows signs of recognizing
that what she's saying doesn't correspond to the patterns she's heard
and seen, nor of self-correcting. She is by no means an unique case
--
just the latest one I heard today!
As in all things, I think it's important to try to strike a balance
in
types of correction. I am reminded (sorry, folks, here comes another
memory) of a rather famous professor of linguistics I had in college,
who, confronted with looks of despair and lack of understanding from
his
students, used to say (I wish I could reproduce the accent here)"the
light she will come!" There was usually someone muttering in the back,
"Yeah, maybe, but will it come in time for the exam?" For a number
of
students, sadly, that's the bottom line, however profoundly I might
wish
that we could change that. Unless we change radically our curriculum
goals and measures, or start all students are an early age through
the
second language acquisition process, it may be hard to wait until "the
light she comes."
Marilyn Barrueta
======================
97/07 From-> Susan Gross <s_gross@compuserve.com>
Subject: TPR Storytelling and homework
Jennie Clifton asked about Blaine Ray's TPR Storytelling brochure and
the lack of homework. It is true that Blaine gives almost no homework.
He has found it to be unnecessary. I, on the other hand, *DO* give
homework! And I use TPR Storytelling, also.
I guess the point is that TPR Storytelling will work as a methodology
(it will produce students who speak and write the language in a natural,
meaningful way) even with students and schools where giving homework
is
difficult. In my school, homework is an accepted part of a student's
life and I would not dream of eliminating it.
In all honesty, I must admit that my homework assignments are much more
meaningful with TPR Storytelling than they were when I had kids do
exercises from the workbook, but that's a different topic!
Susan Gross
======================
97/07 From-> "Shirley E. Ogle" <sogle007@eaze.net>
Subject: Re: TPR Storytelling and homework
Just to add my 2 cents worth, my colleague, Melinda Forward, and I also
use a little different form of TPR Storytelling and we also DO give
homework. I think so much of that question depends on the situation
you
are in and also your teaching style. Melinda and I give homework because
we feel that it is an added practice that helps "cement" the learning
that is taking place in class.
Susan Gross replied:
>In all honesty, I must admit that my homework assignments are much
more
>meaningful with TPR Storytelling than they were when I had kids do
>exercises from the workbook...
To that point, I can add amen. TPR Storytelling provides students with
a
wonderful natural sense of the language and enables them to communicate
in a meaningful way. You will find TPR Storytelling can work at many
different levels and in many different teaching situations.
Shirley E. Ogle
======================
97/07 From-> Julianne Baird <JJBaird@ligtel.com>
Subject: Re: homework and TPR storytelling?
If you follow Blaine Ray's Storytelling hook, line and sinker there
is
very little homework. Homework is usually given to reinforce the
material learned in class. Most students learn the vocabulary so well
through Storytelling that there is no need to bore them with worksheets
at home. When I do Storytelling (I alternate the stories with other
units) it takes me approximately 2 weeks to do a story from start to
finish. During that time I might give 2 homework assignments.
Occasionally I will give only 1 and rarely I will assign 3 worksheets.
I
use the worksheets basically so the students can practice the spelling
of the vocab words.
Julianne Baird
======================
97/07 From-> Kate Doolittle KTDoo@aol.com
Subject: TPR (again!)
I hate to be redundant, but back to the topic of TPR storytelling. .
.I
was inspired to read more about it by the enthusiastic comments and
discussions on the list. But in trying to decide if it's a method I
would like to attempt in my level 1 German, I have a few questions.
1) We teach on a block schedule (85-min. class every other day). Would
this present a problem?
2) For those of you who use TPR, how much of the "regular" textbook
do
you use, and how do you coordinate the two methods?
3) I've read about presenting some grammar with TPR, but I'm very
skeptical about how well the students would pick up what they need
to
know. Do you still use "traditional" grammar explanations, exercises,
homework, etc., or is it necessary to restructure the whole curriculum?
I obviously need to get many things clear before I can expect to try
this method with any degree of success! My first reaction to some of
the
things I'm reading is that this method seems incredibly slow! How do
you
get through all of the materials/topics you need to cover in a year?
I've checked out upcoming TPR workshop dates, but there are none
scheduled in the Chicago area in the near future. Any extra input you
"veterans" would be willing to share would be much appreciated! Thanks.
Kate Doolittle
======================
97/08 From-> Gini Pohlman <pohlmv@dataplusnet.com>
Subject: TPR-S veterans
I just attended Blaine Ray's TPR storytelling workshop. While I can
see
its potential and see it as very powerful, I don't feel confident that
I
can jump in with no experience and commit to 180 days of story telling.
Are any of you using TPRS partially, in conjunction with your text?
How?
Are you getting good results? The student performance on the video
was
impressive. NO grammar explanations? It's so scary to let it all go.
Is
there anyone in Wisconsin using TPRS exclusively or has been doing
it
for awhile? I would like to "pick your brain" as it were. Any info
would
be appreciated!
Gini Pohlman
======================
97/09 From-> Irene Moon <irenem@imperium.net>
Subject: TPR Vocab. test?
My kids have learned the airport vocab well enough to tell a rather
long
story about Princesa, La Pasajera. (I have the feeling that I probably
made it too long, but it was my first).
If they can tell me the story, with most of the basic words, I really
didn't see a need to give them a formal test. Am I O.K. with this or
should I also formally test them?
Next, we're going to practice using preterite tense telling all the
things Princesa did during the flight and while in Mexico.
Would be glad for other suggestions.
Irene Moon
======================
97/09 From-> Sue Alice Shay <shaygsa@win.bright.net>
Subject: LONGish TPR storytelling
HOW TO USE TPR STORYTELLING, from the TPR web page
Step One: Use TPR, TPR Practice and Scenarios to Teach Vocabulary
The teacher uses TPR to teach a small group of words. After introducing
a word and its associated action, she "plays with" the vocabulary in
TPR
practice to provide more comprehensible input. Using gestures,
manipulative, pictures and familiar vocabulary, she then further
reinforces new vocabulary by giving students a series of commands to
execute and short scenarios to act out.
For example, in a beginning-level story from the textbook ¡Cuentame
mas! (Marsh & Anderson, CW Publishing, 1993), the following vocabulary
items are taught via TPR: the coyote, sees, the bird, wants to eat,
grabs, offers. Sample commands might include the following:
Eat.
Eat a big plate of spinach (Yuck!).
Eat four ice cream cones (Yum!).
Eat a small bird and a big coyote.
Grab the coyote.
Offer it to the student on your right.
Offer that student a big bird.
Grab a coyote and put it on that student's head.
Etc.
After practice with short commands, a sample scenario, which students
act out while the teacher narrates, might look like this:
There is a tiny bird. ("Student bird" takes a bow and says "tweet
tweet".) There is a big coyote. ("Student coyote" takes a bow and
"howls".) The big coyote has four sandwiches. The tiny bird
wants to eat the sandwiches, so the coyote offers the bird two
sandwiches. Yum!
Step Two: Students Produce and Practice Vocabulary Words
Once students have internalized vocabulary words through TPR practice
and scenarios, the class divides into student pairs to practice
producing the words. One student in the pair reads the word and the
other gives the corresponding gesture, then vice versa. Next, one
student does the gesture and the other says the corresponding word.
Step Three: Teacher Presents a Mini-Story Which Students Then Retell
and Revise
Using student actors, puppets, or pictures from the text, the teacher
then narrates a mini-story containing the targeted vocabulary words.
The
mini-story and illustrations corresponding to the above vocabulary
words
are as follows:
There is a big coyote. There is also a tiny bird. The coyote sees the
bird. The coyote wants to eat the bird. The coyote grabs the bird.
Oh
no! But the bird offers the coyote a peanut butter sandwich. What a
relief!
The teacher uses a variety of techniques to increase exposure to the
story and to help the students start telling it:
1. She pauses in the story to allow students to fill in words or act
out
gestures.
2. She makes mistakes and lets the students correct her.
3. She asks short-answer and open-ended questions.
(Is the coyote big or little? Who does the coyote grab? What is the
coyote's name? Where does he live? Etc.)
Once the story is internalized, students then retell it to a partner.
Students may tell the story from memory or may use illustrations or
guide words written up on the board as cues. The class then reconvenes
and student volunteers retell the story for the other students to act
out. The teacher may also help the class revise the story, changing
a
few details about the plot or characters to create a new revision to
the
original story line.
Step Four: Teacher Presents a Main Story Which Students Then Retell
and
Revise
Small groups of mini-stories are designed to prepare students to
narrate, read and write a longer main story which uses the vocabulary
from the mini-stories. When an entire group of mini-stories has been
mastered by the class, the teacher then repeats Step Three to introduce
the main story. Once the main story has been presented and acted out,
it
is reinforced with readings and exercises from the textbook. As with
mini-stories, students build upon the main story, using their existing
language skills to embellish the plot, personalize the characters and
create revisions.
Step Five: Students Use New and Old Vocabulary to Create Original
Stories
Capitalizing on their creativity, students are given opportunities to
write, illustrate, act out and share original stories. Activities may
include drama, essays, videotaping, creating student booklets, contests,
group/pair work, illustration exercises, back-to-back communication
activities, etc.
These are the simple steps at the heart of a complete and comprehensive
methodology which allows students to rapidly acquire, internalize and
produce sophisticated language in a fully communicative approach. TPR-S
is being used with growing numbers of students at all levels in foreign
language, ESL and bilingual classes with unparalleled success.
As more and more language teachers from elementary grades to adult
education are refusing to accept the inefficacy of grammar-based
approaches, they are turning increasingly to communicative instruction.
In the ongoing search for more effective and natural forms of language
instruction, it appears that TPR Storytelling just might be their
long-awaited answer.
(*More information about TPR-S training, materials and test results
can
be obtained by contacting TPR Storytelling Network & Workshops
via the
internet at www.tprstorytelling.com, via telephone at 800-958-5552
from
8:00 am to 5:00 pm M-F West Coast Time, or via email at
TPRISFUN@aol.com.)
Sue Alice Shay
======================
97/09 From-> Dana Thacker <Wdjmt@aol.com>
Subject: Re: TPR success question
James....
Keep doing TPR...Keep your plan to go TPR Storytelling...Those few
who
'don't get it'-I have no sound advice, other than it happens to me,
too.
My experience is with kids that refuse to participate-and they
eventually quit coming to class...
TPR Storytelling is such a good method that once you gain the skill-your
personal success rate will increase..
I relate to your frustration, but think of the other kids that are
getting it....
Dana Thacker
======================
97/09 From-> Mary E Young <young-m@juno.com>
Subject: Up-to-date stories -TPR?
Beth,
How about having them use the same story but put it in a contemporary
setting? That may require a discussion on symbolism, and some additional
vocabulary (maybe instead of a shoemaker it's a stockbroker, and instead
of elves it's computer wizards who bail him out overnight while he's
(she's) lighting up the social scene) Just so the plot basics remain
the
same.
It may be surprising to them to observe the universality of some of
the
themes they encounter.
They may recognize some things they see on TV and in movies.
Maybe to review the vocabulary they could invent a game (or use some
that you already use with them), to help bring the vocabulary up to
a
retrievable place in the mind.
Turning narration to dialog is already a fun adaptation of a reading
assignment. The vocabulary review could consist of some mini-dialogs
in
pairs. Given a specific scene in the story, have classmembers act it
out
with a partner (at their seats or in A/B circles). You could provide
a
list of the new vocabulary words they are to practice or let them use
notes.
An alternative would be to have groups of 3, rotating the 3rd person
in
on the next scene, and have #3 keep track of the new words each person
uses. NO.3 could have a clean list and two colored pens, assign a color
to each person, listen to what they say and check off each new
vocabulary word as it is used. This means the listener has to know
the
list pretty well, to be able to stay on top of this!
Another way to review the vocabulary is to write each word on a slip
of
paper, put them in a box, have students draw a slip, and
(1) give a definition of the word without saying any part of the word,
for another student to guess;
(2) give a sentence where the word would be logically used, for others
to guess (this works only because you are working from a limited list!);
(3) describe the scene in the story where this word figures in; or
(4) use the word in a segment of a story the class is inventing together
(you know, the old chain story game where each person adds to what
the
previous person told, ending on a cliff-hanger phrase such as, "but
suddenly..." or "but when he opened the door he saw..." and so on --
the
trick being to work the word in so that it fits the story.)
Sounds like you have a fun project in the works.
Mary E Young
======================
97/09 From-> Sue Steele <ssteele@bas.k12.mi.us>
Subject: TPRStorytelling
On August 4 & 5 I reluctantly attended a TPRStorytelling workshop.
This
workshop was conducted by Shirley Ogle and Melinda Forward. The workshop
took place in Ann Arbor, Michigan. I will never be able to thank these
two people for enlightening me. Shirley Ogle knew that out of the 13
people who were attending this workshop that I was the most skeptical.
I
am a grammarian. I teach 9th grade grammar (ENGLISH). I taught French
from the grammarian point of view UNTIL (yes, I am screaming) until
my
eyes were opened to this method. No one could have predicted that I
would have changed my perspective concerning this method.
We had open house tonight. The parents had to follow their sons' or
daughters' schedule. I can't tell you how many parents commented on
how
they have learned French these past two weeks. I have to insert that
I
also teach French III this year. This class has been taught by the
grammarian method for two years. I told them that French would be spoken
at all times during their class period. THEY HAD A FIT!! (Yes, again,
I
am screaming!) My French I has no problem speaking French to me.
Will I get through all the tenses that I am supposed to accomplish this
year?? No, I won't. Do I care??? No, I don't. Why???? Because my
students are excited about speaking the language. Do our universities
here in Michigan test with grammarian standards??? Yes, but I don't
care. I have seen the difference of teaching in this manner. I see
kids,
even lower level kids, succeed. I am excited. I have been teaching
for
25 years. I have never seen anything like this. IF the universities
would accept this new method, they would see a big difference in the
way
students view a language. In Michigan 70% of the universities' placement
tests is grammar. This WAS how I was preparing my students. NO MORE!!
No, I will not complete the 12 tenses of French by the end of third
year. (I knew them by the end of 2 years of French in 1968). BUT could
I
have a conversation??? NO. The parents of my French I students tonight
were astounded by what their sons or daughters were doing. My French
III
parents were asking why I was being so mean because I was asking their
sons or daughters to speak French.
I only have five more years before I retire. I am having the BEST (yes,
I am screaming) time I have ever had in all the years of my teaching.
I
didn't think I would make it through the next five years. Now I know
I
can. By the way, I had 95 per cent pass the WRITTEN (yes, I am
screaming) vocabulary test today. I am so proud of them. I cannot wait
until tomorrow when I can applaud THEM!!!
You have to go through the workshop in order to learn this method. I
still remember the Norwegian story that I learned from TPRStorytelling
on August 4 and 5. Thank you Shirley Ogle and Melinda Forward!!! I
will
be forever grateful!!!
Sue Steele
======================
97/09 From-> Patti Spiegel <spiegs@udata.com>
Subject: Re: TPRStorytelling
Although I'm responding in particular to Sue's success story, this is
also a general public thank-you to everyone on this list. I joined
this
list last January and I can't believe all the wonderful ideas that
I've
begun to use in my classes from this listserv. I was feeling a little
low this afternoon (September cold/flu) and started to have a pity
party. But then I started to think about all the blessings and things
I
have to be thankful for. I got out of my mood pretty quickly. I consider
FLTEACH one of the most important things in my professional life and
although it's sometimes a real challenge to keep up with all the
messages, I could never leave this list for any extended period of
time!
I consider you my friends, although we'll probably never meet. I'll
never forget at last year's Central States I could only go on Saturday,
so I figured I wouldn't see many people there. The very first person
I
saw with a red dot was Irene Moon!!! Well, I recognized her name right
away. Here's only of few of the ideas I've implemented in my classes
this year alone:
1. The homework calendar ideas are great... what a time saver.
Especially with my Sp 1-2 levels it has been a real help. It puts more
responsibility on the kids shoulders for keeping track of their homework
points for the month.
2. My advanced class are sharing oral presentations now from ideas here.
"My summer in a bag" was discussed in August and it's been a real hit.
3. Claudette Moran and I are going to begin an e-mail keypals exchange
for this year between our advanced classes. My students are also looking
forward to this.
4. I am trying to put together my own home page and I've been able to
visit a lot of others to see how I'd like to design mine. My bookmarks
list is SO long from all the neat places I'd like to revisit.
5. Most importantly, TPR Storytelling is making such a difference this
year. I heard so much about TPR-S from this list that I decided to
go to
this same conference that Sue mentioned in Ann Arbor. (Hi Sue, glad
to
read about your successes!) I'll forever be glad I decided to go. What
a
great concept to learning a foreign language. I've implemented it in
my
Sp 1 classes (and some with the Sp 2) and my kids and I am both excited
and thrilled with the results. It is so much more fun, it's almost
like
playtime. Yet they're accomplishing so much. Although I'm not using
TPRS
in my Sp 3, 4, or 5 classes, it is carrying over and making those
students speak (and enjoy speaking) Spanish more in class. They never
want to speak in English!
I'm looking forward to attending a second conference in Ft. Worth on
Oct
4th and I plan on learning so much more. I might never have heard of
this approach without this listserv.
Well... I'm rambling. Anyway, thank you for all your wonderful ideas.
Thanks Jean and Bob for creating this listserv. It's nice to have
friends around the world. I feel so much better now! :)
Patti Spiegel
======================
97/09 From-> Julianne Baird <JJBaird@ligtel.com>
Subject: Re: TPRStorytelling
My kids (for the most part) enjoy German, actually like talking the
language, laugh and smile in my class, so do I and all of this is
because of Storytelling. In my German 4 classes in the old days, the
kids would shut down with 10 minutes or so to go. This year, when there
are 5 minutes left, they ask if they can draw a story on the white
boards and tell it to the class. Most of the kids comment how fast
the
class goes. I think that too. Where does the time fly? AND I have energy
left at the end of the day and week.
There is a page that describes storytelling. It is
www.tprstorytelling.com
Sometimes the server for that page is down, but keep trying. It works.
Let me know if you have any specific questions. Describing the method
takes quite a while and it is best to buy the book by the Storytelling
Guru Blaine Ray and read about it.
Julianne Baird
======================
97/03 From-> Susan Gross <s_gross@COMPUSERVE.COM>
Subject: TPR Storytelling
Please be aware that the full TPR Storytelling method develops reading,
writing, and accuracy also. While the rate of acquisition at the
beginning level is astounding, the upper levels (III, IV, AP) include
a
significant accuracy component. TPR Storytelling is still used as the
foundation for developing this accuracy.
Susan Gross
======================
97/04 From-> Robbie Marshall <marshall@darkstar.swsc.k12.ar.us>
Subject: Re: communicative approach to teaching second language
I began this year using TPR Storytelling in both Spanish and German
classes. I do not know about real data for "success", but I have seen
instances of understanding in students who failed miserably before.
I have no real proof, just a feeling that there is something great about
the process. I have been to one and three day workshops. I am using
as
much as I can each class. It is difficult for me to stop being a GRAMMAR
teacher. My students don't yet know how to apply themselves to learn
"applied grammar" and we're all miserable with verbs. Less misery than
in years before TPR. :)
Robbie Marshall
======================
97/04 From-> Mike Miller <moose@cmsd.k12.co.us>
Subject: Re: TPR Storytelling
I have been teaching TPR storytelling alongside Susan Gross in
Colorado
Springs all this school year. I teach German and Spanish. I have found
great success with the program in these areas: the class is thrilled
with the language. They love speaking and reading and even writing
in
the language a whole lot more than a traditional class does. I am also
happier teaching. They also remember the language a lot more.
Truly they never forget what I have taught them even from the beginning
of the year. On the other hand, the grammar isn't perfect, but to me
the
trade-off is well worth it. I remember always being frustrated teaching
conjugations and students not getting it. It seemed so easy to me.
But
there is a certain level of the language when a student internalizes
the
conjugations or use of negatives, etc. They will get it when they're
ready. Just keep modeling good language in front of them and it will
work out. I have also noticed certain concepts which took regular
classes a long time to master which my TPR storytelling classes get
very
naturally. One such concept is the German verb in the 2nd position
of
most sentences. Check out Blain Ray's seminar if it is around you
anywhere.
Mike Miller
======================
97/04 From-> Carol Gaab <GAAB5@aol.com>
Subject: Re: TPR Storytelling--re-telling stories
TPR Storytelling is completely planned and methodical. Stories are
invented, using specific vocab. items/expressions. Focussing on that
group of vocab. words/expressions, a story is told, but only AFTER
students have "internalized" all the vocab.! Each word needs to be
"TPR
practiced" sufficiently before moving on to storytelling.
Once ready for a story, students should hear the story several times
with a little vocal variety each time. After several renditions of
the
story I have my students practice telling the story to a partner first,
then I choose a "volunteer" to tell the story to the class. Re-telling
of the story is usually 100% accurate, although not always 100%
grammatically correct. The grammar errors don't bother me unless they
impede comprehensibility, and 99.9% of the time they don't. If I want
to
"work on" a specific grammar point, I use it repeatedly in targeted
teacher talk for the next several days, or until my students "get it."
TPR is wonderful for long term (memory) retention of individual vocab.
items, and the storytelling helps the learner contextualize the vocab.
and use it in relevant ways. Hope this clarifies what should be expected
from a re-telling...
:)Carol Gaab
TPR Storytelling Network
======================
97/09 From-> Michael Kundrat <kundrat@clps.k12.mi.us>
Subject: ALM/TPRS
Marilyn writes:
>Interestingly enough, to do A-LM well took a similar kind of drive
and energy
>of the part of the teacher to TPR Storytelling today --
As a teacher who uses TPRS almost exclusively, I'll take that as a
compliment. However, I want to point out to anyone considering a similar
change that these are qualities any good teacher possesses. What I'm
trying to say is that nobody should be "scared off" by thinking of
the
somewhat frenetic pace that came with TPR, at least in its early stages.
TPRS can suit anyone's personality...we're not all "whirling dervishes"
in the classroom, nor do we need to be for our students to succeed.
TPRS
takes care of that. Still....thanks, Marilyn!
Michael Kundrat
======================
97/09 From-> Sue Steele <ssteele@bas.k12.mi.us>
Subject: TPRStorytelling (LONG)
I would like to express some other aspects that I like concerning
TPRStorytelling. The teacher has control over pronunciation because
the
students get to practice the language. The teacher has control over
the
use of correct grammar. The students figure out why there is a "la"
or a
"le" or a "les" before a noun. I don't have to teach that. The teacher
has the control to make sure the student writes well because they have
words spelled correctly and use them several times in written exercises
before they are tested. Today I gave another written test. I had 23
students take the written quiz in one class. Scores are 12, 100%; 2,
96%; 5, 93%, 3, 89% and one at 74%. I taught the other class the same
way but the scores are not as high. I say they didn't study. Scores:
5,
100%: 6,97%; 5, 93%; 4, 90%; 1,87%; 1, 83%; 1, 77%; 1,70%; 1,67%; 1,63%;
1, 57%.
I counted accents because I can't give that up. They were marked wrong
if they put le instead of la also.
I teach English 9 grammar. The scores for their spelling/vocab. tests
today were absolutely deplorable. I don't have control over how English
is spoken at home. They had a week to study. I do have a German exchange
student in my English 9 class. He received an A on his spelling and
vocab. He has an A in my English 9 class. He knows English better than
my students. He volunteers all the time. It is spurring my students
to
compete. I love it. I haven't had that advantage before!!!
When I came out of the womb, I could not speak. I had to listen for
many
months before I spoke. When I spoke, my mom did not say, "Oh, that
is a
noun!!!" When I put sentences together, my mom did not say, "Very good.
You used a direct and an indirect pronoun." My first exposure to grammar
was in second grade. Then 3rd, 4th, 5th, 6th, 7th, 8th. My grammar
is
automatic. My ninth graders, in many cases, have not had grammar since
5th grade. Four years is a long time not to have any grammar. We do
a
last-ditch effort since we in foreign languages ended up teaching the
grammar. If our students don't even know their own language, how can
we
expect them to learn the grammar of another one. Yes, many of them
learn
their English grammar through their foreign language classes. But many
of them drop out because it is so hard for them to learn two languages
at once. Many drop out because they thought they were going to learn
how
to speak the language. After two years, we see a huge drop in our
numbers. I think it is because they are burnt out. They cannot handle
it. I knew my own language; therefore French came so easily to me.
My
ninth grade English class has no idea what a conjugation is. These
same
kids are in my French I class. Are you understanding the point I am
making? My teachers didn't have to explain what a conjugation was,
what
first person was, what an indirect object was, what a direct object
was,
what the imperfect was, etc. We knew it in our own language. These
kids
don't.
Last year in French II we completed these tenses: present, future, past,
imperfect, and subjunctive. I was surprised to read that many didn't
get
to these tenses by the end of the second year. I will probably not
either with TPRS. But I figure they will be comfortable with the
language and will continue their language for a third year. I will
then
complete the tenses they need. Many will not major/or minor in French.
They will know how to speak the language correctly and will be able
to
read and write the language . Thus if they travel, they will at least
be
able to survive in a franchophone country. My French I students'
pronunciation of the language is way beyond my French III's. I just
noticed that this week. My French I are not afraid to speak the
language. My French III are terrified. What a difference!!!
I like this method. I see results that I like even for the lower level
student. Almost everyone is succeeding. I didn't get those results
the
other way I was teaching. It is fun to see kids excited about a language
and not because their parents told them to do it. Maybe originally
their
attitude was that way on August 26, but that isn't the attitude in
my
classroom today.
Sue Steele
======================
97/09 From-> Julianne Baird <JJBaird@ligtel.com>
Subject: Re: TPR-S comments
I waited several days and thought the feeling would pass, but it hasn't.
So I just have to respond to Timothy Mason's comments concerning TPR-S.
>> I have said that I have found the discourse supporting this approach
to be
>>disappointing. I will risk making a prediction : in about ten years,
TPS-S will be
>>seen as a useful and enjoyable technique, to be used at certain moments
in the
>>learning process, and to be adapted to the learners by the teacher.<<
This comment implies that TPR-S is a fad. If proficiency and fluency
are
fads, then TPR-S will die out. Those who actually know TPR-S and have
tried TPR-S in their classrooms will tell you that this is not a
technique to be used "at certain moments." TPR-S is a method that is
used as the main method of instruction. I have been teaching for 16
years. For the first 14 years I taught with conventional methods and
was
considered by my students, their parents and the administration, along
with area college professors as a good language teacher. I have had
my
share of success stories, but most of my kids endured the class and
learned to study for the tests. With TPR-S I have so many success
stories in each class. I have a first year student, 5 weeks of German
instruction, who talks to her German exchange student in limited but
meaningful ways. TPR-S is helping 95% of my students become proficient
and fluent, not just the top 10% of the class.
>I would also like to say that many teachers have been using techniques
which,
>to my eyes, appear similar to TPR-S, without making all the hoo-ha
about it. I
>know teachers who use stories, who get their students moving to and
with
>stories, and who have never heard of TPR-S.
These people who claim they do TPR and Storytelling frustrate me. I
used
to teach next to a Spanish teacher who thought she knew what classical
TPR was. She would have her kids get up out of their seats for part
of
the period and then spend the rest of the period using English to teach
Spanish grammar. She told me that TPR doesn't work. Of course it didn't
work for her, because movement alone does not guarantee that it is
TPR.
James Asher developed a very detailed system for getting students to
physically respond to commands in the target language. It includes
a
silent period of several weeks, and a very language rich environment.
If
you don't follow the steps, you are not doing classical TPR.
I also know teachers who use lots of stories in their classroom, but
they also are not following the steps in Blaine Ray's Storytelling
method. The steps must be followed to get the proclaimed results.
No insult is meant to those teachers who use movement and/or stories
in
class and are satisfied with the results but don't call your method
TPR-S. Both classical TPR and Storytelling must be taught according
to
the prescribed plan in order for it to work. If you have not tried
TPR-S
in your classrooms, then don't comment about it.
Sorry for the harsh words, but this method works when done right, and
I
don't want it "poo-pooed" by a bunch a naysayers who don't know the
ins
and outs of the technique. Flame me if you must, but I know it works
and
so do my students, and their parents and our administration.
Julianne Baird
======================
97/09 From-> Clyde Nielson <clyden@ordata.com>
Subject: Words and Contexts
TPR Storytelling, though I've never used it (I no longer teach), seems
to incorporate all the things that make up good language teaching:
getting students engaged in the process, fostering spontaneity,
integrating movement with language learning, and building
confidence--all the things that teaching from a textbook rarely do.
Most
importantly, it lends itself to cooperative, student-centered learning.
Clyde Nielson
======================
97/09 From-> Jim Conway <lhsspan@psln1.psln.com>
Subject: Re: TPR-S comments
I first learned about TPR-S about 6 years ago, I started integrating
the
stories into my teaching. My training from the time I was a student
teacher was in Proficiency-Based Language Instruction (Setting the
Stage, Comprehensible Input, Guided Practice, Assessment and
Evaluation). I was a trainer for COCI(Classroom Oral Competency
Interview), California's version of OPI and I have also been trained
in
the CWCA (Classroom Writing Competency Assessment), California's writing
assessment tool for Foreign Language.
Even with all the training I have had in Proficiency-Based Instruction,
I felt something was missing. I was having great success with the level
1 storybook. Then last year, I started teaching the upper level stories
and I was having some problems. My feelings started to echo some of
Timothy Mason's feelings.
Well, to make a long story short. I went and saw Blaine this summer
and
I found I was doing TPR-S wrong. I hadn't seen him for quiet a while
and
he had made some important changes in how TPR-S is done. Blaine is
a
very eclectic person, he is never completely satisfied with his already
high success rate. Anyhow, I have made the suggested changes I learned
at Blaine's workshop and everything has been going great this year.
I would like to address one issue that I remember Timothy Mason
mentioned. If I remember correctly, he brought up the issue of the
cultural relevance of Blaine's stories. I agree with him, but I don't
have the time to find new stories and recreate the materials that Blaine
has already created. When I was trying to integrate TPR-S with the
textbook we were using at the time, I rewrote Blaine's vocab sheets
to
include the vocabulary I felt should be taught. It was a time consuming
task, but I still like my vocab sheets for level 1 better than his
vocab.
Anyway the point I'm making is, I have a young family and there are
other priorities, like spending time with my wife and children. I have
known a few teachers who didn't keep their priorities straight and
have
lost their families. Anyway, my entire department now uses TPR-S and
it
is making good teachers into great teachers. It makes teaching more
fun
than it already is.
I have written more than I planned. I'm starting to feel like I'm TBob,
who I enjoy reading. The only thing I haven't figured out is how TBob
finds the time to write as much as he does.
Jim Conway
======================
97/09 From-> Michael Kundrat <kundrat@clps.k12.mi.us>
Subject: TPRS/Tenses/TPR
I meant to get to this sooner, but didn't. There have been so many
postings the past 2 days about "tenses" that I don't want this to get
lost/forgotten in the shuffle. Because of the recent discussions, it
may
be even more relevant now....
First, Ron Takalo writes:
>I have been reading all the posts about TPR and TPR storytelling,
and have to
>add my "dos centavos" at this point.
>First of all, James Asher (father of TPR) said a couple of things
in his workshop
>that I attended that need to be stressed at this point. First, he
himself said that TPR
>is a STRATEGY and not a METHODOLOGY, the difference being that a strategy
>is one way of teaching some things, but does not purport to have all
the answers for
>our methodological concerns. Second, Asher also said "Beware the guru
with one
>book". Amen - no one strategy or methodology has all the answers.
Then Marily Barrueta adds:
>Another thank you -- we should all be enthusiastic about whatever
techniques we
are using, but never let it get to the point of feeling that we own
the truth.
Followed by Pat Barrett:
>Marilyn (OUR Marilyn) mentions someone quoting Krashen as saying that
TPR is
>the only method that had it right. I have a video called A Child's
Guide to Language
>in which Krashen mentions TPR among several other methodologies has
having it
>right, but that they do not transfer out of the classroom very well.
He then goes on
>to praise immersion a la Canada. Perhaps that is the source of the
quote.
I apologize for all these quotes, but I'm looking for clarification.
There apparently are a number of people who want to add relevant
comments to the discussion about Storytelling, but don't know the
difference between it and TPR. I apologize again if I am
misreading/misinterpreting, but that is what comes through to me with
these postings.
Because the fault might be mine, because I don't want to spend time
"nitpicking", but mostly because I want to try and clarify the
situation, I'd like to offer the following comments:
1. TPR is indeed a strategy - a fine one, I think - for learning
vocabulary and structure. Nobody has ever claimed it to be a
methodology, but no matter your feelings...it's not what we've been
discussing.
2. TPRS, or Storytelling, uses the strategy of James Asher's TPR as
a
key component, but goes well beyond its limitations. I'm not going
to go
into the whole program here. For a quick view visit the website at
www.tprstorytelling.com
3.Re the discussion of the past 2 days, TPRS doesn't put tenses in the
forefront, but uses verb time as a means of communication. (and object
pronouns or anything else you'd care to mention for that matter).
Communication - understanding/speaking/writing/reading - is the goal,
and new items are included as students can handle them. On the surface,
I suppose that doesn't sound very different from what many others do.
If
you've had experience with TPRS though, you know the approach is
"different."
4. Some people have the idea that Storytelling is a "one-note"
methodology and therefore can't possibly have all the answers. I don't
remember anyone saying that either. As students progress, the TPRS
teachers I know incorporate reading, computer-use, group projects,
and
whatever else might be used in a more "traditional" classroom. Still,
every teacher - I *think* - builds his/her course around some sort
of
core, some foundation. For me, that core is of course Storytelling.
That's where I see my students making progress.
5. For whatever reason, some people feel that TPRS teachers are
advocating Storytelling as "the only way." I don't remember any posts
saying that, nor do I remember anyone doubting the success others have
achieved with whatever methods they might use.(although, if I may,
some
others do seem to doubt the success we Storytelling teachers are
finding) What I have said, what I remember other Storytelling teachers
saying about themselves, is that I was a good teacher dissatisfied
with
the overall results I was seeing. After looking at TPRS, I decided
to
give it a go. My students are speaking/understanding/writing more/better
than ever, and all of us are having more fun. (no matter your concern
about "fun" in the classroom, I'm going to put it in the "plus" column,
especially when it accompanies all that progress!)
Someone offered a fine line the other day - "Storytelling can make
a
good teacher a great teacher." Many of you are already great teachers
and have no need to alter your methods. I was not, and I felt that
need.
For others out there like me, I suggest the possibilities of Storytelling.
Michael Kundrat
======================
97/09 From-> Gale Mackey <Cuentista@aol.com>
Subject: RE TPRS
I read your post on Flteach recently. I agree that tpr is a technique
or
approach not a method.
However, TPR Storytelling can not be classified as just a strategy.
TPR
only works with a few words in the language. The reason is that most
words are not TPRable. They can not be used in novel commands. Therefore
tpr is most effective with beginners. It does run out of steam because
when you take novel commands out of TPR you have something where there
is no interest.
TPR Storytelling on the other hand, is a method. A method is what is
used to produce, (according to Krashen) intermediate language learners.
That means we prepare them for 2 things:
1. Going to the country to become advanced language learners
2. literature on the college level.
We can measure this by AP tests. Through TPRS we have had several
students pass the AP language test in just 2 years with almost no
homework.
TPRS also works well with low learners. At East High School in Denver,
Colorado, they took ALL their students who failed Spanish 1 first
semester. They put them in a TPRS classroom. Those students ALL passed
second semester and are now the leaders in 2nd year Spanish.
Even though this method is new, people who have tried it and done it
EXCLUSIVELY over time have found it to bring truly amazing results.
I do not claim to know everything. I am experimenting every day. I try
new things all the time as all in the profession should but by using
TPRS as a basis for the new testing, the results continue to astound
me
and others.
Blaine Ray
======================
97/11 From-> Todd McKay THMCKAY1@AOL.COM
Subject: TPR storytelling debate
It's great to see so much interest in acquisition approaches to language
instruction and specifically in TPR Storytelling.
I personally have seen the light so to speak and will never return to
the days of teaching via "drill and kill" to get my kids up and flying
in the target language. I've yet to find a better way to build fluency
or as I refer to it "comfort and ease in communicating", than through
the combination of TPR and storytelling. Anyway, that's me. And I think
that's the point...That it's me that has found pleasure in the process
of seeing students develop language skills. Not everyone in our
profession sees this as an overall goal--to build language fluency--or
at least not all agree on the way in which to go about it. So what's
all
the fuss??
Why are we arguing with those who don't agree. If they are happy with
the ease with which their students develop language skills, so be it.
I
usually make my sell for acquisition last 1 minute and than it's not
worth it. YOU MAY NEVER CONVINCE THOSE WHO AREN'T
WILLING TO TRY IT! But in my 1 minute sell, I say try it for a month
and you may never go back. What have they got to lose, well...one month
of developing language skills (speaking, listening, reading, and writing)
and not pounding in explicit grammar instruction???
Todd McKay
======================
97/12 From-> Julianne Baird <JJBaird@ligtel.com>
Subject: Game for TPR-S
Here's a game that helps the kids hear those lines from the stories
over
and over and eventually into their brains.
1) Divide the class into teams. I usually have 3 or 4 teams, depending
on the size of the class.
2) One person from each team comes up to the table in the front of
the
room. I don't have little noise makers for each team. Instead I have
a
stuffed puppy dog that sits on the table (or the overhead)
3) I start by saying one of the lines from the story. I say the sentence