|
Continued ...
Questions and Answers About Writing in WI Courses and Writing Across
the Curriculum Page 4
Can students fulfill the WI requirement
with a collaborative writing project?
Collaborative learning can enliven any classroom. If you use this
pedagogical strategy in a Writing-Intensive course, however, be
sure to design projects that are in keeping with the spirit of the
WI guidelines. Each student in the course should do the requisite
amount of writing and each should have the opportunity to revise
his or her work.
Why are final examinations excluded from the 15-page requirement?
Writing for final examinations is excluded for two reasons. First,
essay exams evoke low-quality, hurried, panic-stricken prose. They
also require students to perform a task that few writers outside
of academia are expected to do: to write on topics from memory without
source materials- books, notes, data beside them. Second,
the writing submitted at the end of a semester or during a final
exam period is not a useful medium for teaching and learning because
students cannot act upon instructor feedback and make meaningful
revisions to their work.
If only a few courses are labeled as writing-intensive, wont
students object when other courses require writing?
If the norm is passive, rather impersonal methods of instruction
lecture, objective testing, and the like students
may resent professors who require them to engage themselves actively
and personally through a series of writing tasks. Unless all of
us require some form of writing and regularly use writing to enable
learning, students will view writing as a separate activity, compartmentalized
into first-year composition and Writing-Intensive courses. They
may also regard writing as a punishment, not as an accomplishment
that the entire academic community values.
What is meant by giving students opportunities for serious
revision?
We know from thirty-five years of research in written composition
that the most effective way to help student writers acquire proficiency
is to read their initial responses to assignments as works-in-progress
rather than as polished final products, and then to respond to those
drafts by giving the writers suggestions for serious revisions.
Elaine Maimon, one of the founders of the writing-across-the-curriculum
movement, observes, Most of the work that comes to our initial
attention is not bad but humble, rough, incomplete. When we look
at a students first try at a difficult assignment, we should
shift our focus away from What this is not to What
you can make this become (734).
For teachers, this means reallocating time from writing extensive
comments and questions on graded papers to writing brief comments
and questions on work-in-progress (Maimon 735). We may recommend
that a student make major changes to expand ideas, clarify meaning,
or reorganize information. If the student has already found something
important to say and a way to say it, however, we may focus on editorial
concerns, advising the writer to analyze and correct spelling, punctuation,
syntax, and structure.
This approach allows us to be supportive while maintaining standards;
it liberates us from covering papers with copious comments, coercions,
and corrections that students rarely act upon, let alone read; and
it lets us give students responsibility for their writing.
By responding to students papers as works-in-progress, we
function as allies or coaches suggesting ways that writers can display
their knowledge of content, handle the conventions of standard written
English, and observe the conventions of writing in our particular
disciplines. When students resubmit their papers, all we have to
do is assign grades. We are no longer appropriating the students
job of revising, editing, and proofreading. Instead, we let the
students perform these tasks for themselves.
How can instructors encourage students to revise?
Here are some suggestions from three experts.
Elaine Maimon:
When students submit final drafts
to the instructor, they might also exchange papers with peers
and discuss their drafts in small groups. These discussions
will proceed more smoothly if the writer of the draft attaches
a self-analysis form answering the following questions: How
close to being finished is this project? What is the major idea
that you are working to express? (What are you driving at?)
How can readers most effectively help you at this stage? When
writers answer those questions in advance, the conference with
the instructor, the instructors written comments, and
conversations with peers are placed in a more constructive context.
The writer is asking for help rather than waiting for the instructor
or classmates to find problems that the writer missed. The writer
is able to state disclaimers and plans for improvement up front,
rather than wait for the ax to fall. Furthermore, people are
more willing to listen to advice when they have asked for it,
even if they decide not to follow the suggestions they receive.
The process of asking for advice paradoxically highlights the
responsibility of the author for his or her own work. Under
other formats for the classroom response, students believe that
they are giving their papers to the teacher, thereby
ridding themselves of all responsibility. Asking for advice
reminds students that the final responsibility is theirs. Readers,
including the instructor, can then answer the following questions:
What do you think is the main idea of this draft? What do you
like best about the draft? What would you like to read more
about? Please respond to your colleagues request for suggestions
(736). |
Stephen Tchudi:
With training and instructor support, peers can often
serve quite successfully as readers of each others work.
They can identify problems with organization, structure, accuracy
of content, style, and correctness. Although peer editing consumes
some class time, I find it time well spent and always build
in a day for my students to share and critique drafts in the
classroom. For the content teacher this time is not merely writing
time, it is also content learning time, for the focus of such
sessions should be kept on the knowledge and understanding of
the paper and the clarity with which it is displayed. Usually
the peers are divided into groups of three to five students.
Papers may be read aloud to the small group, or authors can
be told to bring in copies for each group member. Peer groups
need guidance and direction from the instructor; students should
not simply be split into groups and told to criticize
the papers. Generally I chalk two or three major questions on
the board as guidance for the sessions; then as the peers read
aloud and discuss, I circulate about the class monitoring results.
Revision is an easy stage for the content instructor to neglect,
but it is an important one for both knowing and writing. Learning
theory suggests quite clearly that people learn most when they
do things right, not wrong. Focusing on revision allows students
to write better drafts before turning in final copy. I also
think that content instructors will find that revised papers
in the disciplines will show greater knowledge of the subject
matter; once again, then, good teaching of writing is bound
up with good teaching (46). |
Joanne Yates:
1. Give positive feedback whenever possible; point out
strengths as well as weaknesses.
2. Use personal conferences for difficult or sensitive problems.
3. Respond to specific problems with specific suggestions for
improvement.
4. Do not grade early drafts; reserve judgment for
final drafts.
5. Create sample self-critique sheets to help students
guide themselves.
6. Give students some responsibility for evaluating each others
work (15). |
|